Content Area Literacy

Counternarratives in 6-12 Classrooms: Disrupting Harmful Narratives and Engaging Students in Critical Thinking and Reflection

Teaching

Christy Howard returns with additional thoughts through the eyes of a literacy educator who works with preservice and in-service teachers as they navigate the changing expectations of education. Read more about Christy at the end of her blog.

Through my work as a literacy educator, I have the opportunity to work with preservice and in-service teachers as they navigate the changing expectations of education. I also work with school support staff, administrators and district-level curriculum leaders. Through this work I have recently been engaged in many conversations around curriculum materials and text selection for classrooms. Educators want to know how to engage students in the learning process, and how to help them in their journey to becoming critical consumers of texts — especially in a world where they are bombarded with so much information. Many secondary teachers recognize the need to look beyond the textbook for classroom materials, often acknowledging content area textbooks fail to provide all the information needed to support student learning. Many of them also acknowledge textbooks provide incomplete stories. My response to these educators as I nod in agreement is, “Let’s take a look at the role of counternarratives in your materials and text selection process.”

What are counternarratives?

There are many definitions of counternarratives. Here I would like to share the definition from Tricia Ebarvia’s new book, Get Free. She shares:

“A counternarrative is a story that stands in contrast to and challenges the values, beliefs and an established dominant narrative. Often counternarratives do this by focusing on the perspectives that are missing, marginalized, or actively erased from the dominant narrative” (Ebarvia, 2023, p.3).

This definition stands out to me because of the discussion of erasure. When I think about my conversations with educators and their stories of how some of them are dealing with curriculum mandates and banned books in their districts, this is an example of how perspectives are actively erased from the dominant narrative. Curriculum mandates and book bans often minimize access to the ideas, experiences and histories of marginalized groups. This is a clear reason why we need to provide space for multiple perspectives, allowing students to engage with both dominant narratives and counternarratives.

Why are counternarratives important?

Stories that only show the dominant perspective can be harmful. Students need exposure to multiple perspectives. These perspectives are not always readily available in neighborhoods and families. Tatum (2017) reminds us, Many of us grow up in neighborhoods where we had limited opportunities to interact with people different from our own families… Consequently, most of the early information we receive about “others”– people racially, religiously, or socioeconomically different from ourselves–does not come as a result of firsthand experience. The second hand information we receive has often been distorted, shaped by cultural stereotypes, and left incomplete (p. 84).

This incomplete information can lead to harmful actions. For example, incomplete, distorted information shaped by cultural stereotypes has led to physical and emotional harm against people in this country. We have seen this highlighted in news stories about hate crimes against marginalized groups, that in many cases have led to death. These incomplete stories and distorted stereotypes can be addressed through counternarratives in our classrooms, and if we believe dominant narratives can be harmful, it is easy to believe that perhaps counternarratives can be healing.

Counternarratives can also help us disrupt deficit perspectives and harmful narratives about people and places. For so long in the publishing world, we saw so few books written by and about the lives and experiences of people of color. This has been well documented by the Cooperative Children’s Book Center (2018). With this approach to publishing, the lives, experiences, and voices of marginalized people have been silenced. Tatum (2017) describes an experience where a preservice English teacher commented that she had never learned about any Black authors in her English courses and was concerned she would have difficulty teaching them if she had not learned about them in her schooling. A classmate commented, “It’s not my fault that Blacks don’t write books” (p. 85). This narrative is harmful, inaccurate, and is rooted in a deficit perspective. We must provide access to books for students that serve as counternarratives to this mindset, showing that we indeed have successful, amazing, authors across marginalized groups writing award-winning stories and creating award-winning film, art, poetry, music and dance. These counternarratives can show our students they, too, can be successful, amazing creators if they so choose to embrace that identity.

Counternarratives in Classrooms

There are many learning experiences you can provide for students to engage with counternarratives. I believe it’s important for students to read counternarratives. I also think it’s important for them to have opportunities to write counternarratives as well. Christensen (2017) asserts, “In writing about themselves, students learn to praise their beauty that the world overlooks or cannot see” (p. 82). Writing experiences through this lens allow students to write against false or inaccurate narratives, take ownership of their writing and show their beauty to the world. Here I want to share some opportunities for both reading and writing with you.

Children’s Books as Counternarratives

We know that children are often exposed to negative dominant perspectives through children’s stories, cartoons, and movies, where they have seen inaccurate representations of Indigenous People, as women portrayed as needing to be rescued, and People of Color, as lazy or villains. As educators, we have the opportunity to disrupt these narratives by using well-chosen, multi-perspective texts in our classrooms as counternarratives. At the bottom of this post, I have listed picture books, middle grade books, and young adult books that can be used as counternarratives. These are all beautiful stories, several of them focusing on love, joy, and community, while also speaking back to the dominant perspectives of marginalized people.

As we consider using such books in our classrooms, there are so many resources that can guide us in choosing texts, such as Diversifying Your Classroom Book Collections? Avoid these 7 Pitfalls. In addition, Ebarvia (2023) provides some questions to guide our thinking as well:   

  • Can this text provide meaningful insight to students about identities with which they are unfamiliar?
  • In what ways can this text help to develop a positive social identity for my students?
  • How can this text challenge incomplete or harmful dominant narratives about different identities?
  • Does this writer treat their subject with complexity and nuance and avoid stereotypes?
  • What does this text not do or include that I will have to supplement with another text? What counternarratives will my students need after this text?

I hope through these resources, you find some helpful texts to meet the needs of your students and engage them in exploring counternarratives in your classrooms.

Visual Autobiographies

Visual autobiographies are an opportunity for students to engage in creating counternarratives. Students can generate multimodal projects that include items such as photos, drawings, poems, songs, and videos. This type of assignment is open for students in a way that they are able to choose what they want to present and how they want to present it. They are able to share their identity, culture, history, beauty, and brilliance. They begin by exploring the dominant narratives that might be told about them, parts of their identities or their communities. They, then, consider how they can create visual representations as counternarratives to these dominant narratives.

Talking Back

Talking Back is an activity Christenson (2017) shares where she asks students to “criticize commercially produced images about the way they should look, sound, or act” (p. 82) and to speak back to these perspectives through poetry. In her example, she uses the poem, “what the mirror said” by Lucille Clifton. I have also used Maya Angelou’s Still I Rise poem as a mentor text. Additionally, I have created a poem as a mentor text for this assignment so students can see my thinking in this process as well. As an educator, what would you like to “talk back” to? What texts could you use with your students as representations of “talking back?”

Reflections of…

I believe in self-reflection. It is an important piece of all of my instructional practices. When I consider what it means to include counternarratives in my classroom, these are the questions I am asking myself. I encourage you to join me in reflection as you consider integrating counternarratives into your classrooms.

  • What is the role dominant narratives have played in my life?
  • What is my role in promoting the dominant narrative in classroom spaces? How have I believed or accepted deficit dominant narratives?
  • How can I challenge the negative perceptions in dominant narratives?
  • How do I use narratives to help students construct new understandings of the world?
  • Whose experiences and voices are centered in my classroom?
  • Whose experiences and voices are marginalized?
  • Whose voices are missing? What does this mean? Why does this matter?
  • How can I continue to provide space for my students to “talk back?”

Children’s Books and Professional Resources

Picture books

We Are Still Here: Native American Truths Everyone Should Know by Traci Sorell

Something Beautiful by Sharon Denni Wyeth

I Am Every Good Thing by Derrick Barnes

We Are Water Protectors by Carole Lindstrom

My Papi Has a Motorcycle by Isabel Quintero

Ada Twist, Scientist by Andrea Beaty

Middle Grade books

Mascot by Charles Watters and Traci Sorell

Some Places More Than Others by Renee Watson

Indian No More by Charlene Willing McManis and Traci Sorell

Harbor Me by Jacqueline Woodson

Swim Team by Johnnie Christmas

Young Adult books

Clap When You Land by Elizabeth Acevedo

The Silence that Binds Us by Joanna Ho

The 57 Bus by Dashka Slater

Professional Resources

Christensen, L. (2017). Reading, writing, and rising up: Teaching about social justice and the power of the written word. (2nd ed.) Rethinking Schools.

Muhammad, G. (2020). Cultivating genius: An equity framework for culturally and historically responsive literacy. New York, NY: Scholastic.

References

Christensen, L. (2017). Reading, writing, and rising up: Teaching about social justice and the power of the written word. (2nd ed.) Rethinking Schools.

Cooperative Children’s Book Center. (2018). Publishing statistics on children’s books about people of color and First/Native nations and by people of color and First/Native nations: Authors and illustrators. Madison, WI: Cooperative Children’s Book Center, University of Wisconsin-Madison. Retrieved from https://ccbc.education.wisc.edu/literature-resources/ccbc-diversity-statistics/books-by-and-or-about-poc-2018/

DeHart, J., & Staff, L. for J. (n.d.). Countering the narrative. Learning for Justice.

Ebarvia, T. (2024). Get free: Anti-bias literacy instruction for stronger readers, writers, and thinkers. Corwin.

Muhammad, G. (2020). Cultivating genius: An equity framework for culturally and historically responsive literacy. New York, NY: Scholastic.

Tatum, B. D. (2017). Why are all the Black kids sitting together in the cafeteria?: And other conversations about race. New York: Basic Books

Christy Howard has been an educator for over 20 years. She is currently an Associate Professor in the Department of Literacy Studies, English Education, and History Education at East Carolina University where she teaches undergraduate and graduate courses. In her free time, she enjoys traveling and spending time with her family.
Counternarrative-Presentation-1Download

Writing to Learn: Strategies to Engage Students in Writing and to Deepen Content Knowledge

Teaching

This webinar features Brooke Hardin and provides resources for using multi-modal writing responses to engage students in writing.

Click here Download
Brooke Hardin is an Assistant Professor of Elementary Education at USC-Upstate. Her experience includes elementary and middle grades classroom teaching as as well as curriculum literacy specialist. This webinar reflects Brooke’s special interest in multi-model writing as a response to reading.

Creating Student-Centered Social Studies Anthologies

Teaching

This week’s blog is by Beth Shaver as she shares how to develop primary source anthologies in Social Studies and History courses. Read more about Beth at the end of her blog.

            When I think about literacy in social studies, my mind is automatically drawn to conversations around the purpose of social studies. There is a consensus that the primary purpose of social studies is to educate our students about citizenship and active participation in our republic (NCSS, n.d.). As teachers, we understand that literacy is a necessity for civic engagement and that literacy, and the social studies, are inextricably linked.

            For our students, however, that connection may not be so clear. I imagine that we would be hard-pressed to find a social studies teacher who has not been asked the age-old questions of ‘Why do I have to learn this?’ and ‘Who cares about a bunch of old dead men?’ Honestly, the root of their argument is valid. Falling back on Mark Twain’s musing that “history doesn’t repeat itself, but it often rhymes” as a rationale is simply not enough to convince our students that social studies generally, and literacy in the social studies specifically, is necessary or that primary sources are useful.

If we, as teachers, are going to ask students to read, think critically, and be willing to participate in critical discussions, they are going to want to know why. Especially in the modern era when we are competing with cell phones and social media in the classroom, our students need to internalize why social studies matters to them. Ultimately, reading in social studies classrooms must be relevant to our students.

Charting a Student-Centered Approach

            While there are many approaches to student-centered, engaging, literacy-based, and relevant lesson plans in social studies classrooms, an approach that I used in my classroom, and had success with, was the individual curation of anthologies. As a White woman who was teaching the African American Studies course, this approach came about because it was important for me that students had the autonomy to research and learn about ideas and issues that were important to them in parallel to the history that they were learning in class. I knew that I did not have the authority or ability to speak to every issue. So, I focused on the history and taught the students how to find voices and experiences of the past in primary source materials, based on what they were interested in and curious about.

            Although the anthology originated in an elective course, it can be easily applied in any history-based social studies course and can be scaffolded or extended based on the needs of the individual learner. Application of state social studies standards to this project can be woven in easily with this project as well. As an example, in North Carolina, our social studies standards ask students to trace ideas and themes throughout the eras as they seek to understand change over time through history. The anthology approach embraces this goal by encouraging students to pull threads throughout history that pique their curiosity.

In my class, students had the opportunity to take the course at the academic (e.g., general education) or honors level which meant that within one classroom, I had a wide range of students representing diverse learning experiences and reading abilities. Each of them approached the anthology project as individuals and at their own level, and by the end of the semester, each student had an anthology to present at a meet-the-author event in our school’s media center.

The Anthology at a Glance

The work to begin a course-long anthology project begins at the beginning of the course and requires patience from both the teacher and the students. Each must understand that this type of project requires learning, adjustments, scaffolding, thoughtful preparation, and structure. To me, this work is the most exciting and has the potential for the greatest rewards! Early in the course, lessons around digital literacy and digital history are crucial for student success and can guide students toward recognizing reliable websites and materials for their projects (Manfra, 2020; Wineburg & McGrew, 2019). My diverse group of learners needed to be provided with a digital library of resources that each learner could use as a starting point. While some were confident and able to find reliable resources independently, others required the scaffolding of more concrete places to start, especially in the beginning.

A second consideration early in the course is how students will source and analyze the primary sources they use. Following a format found in many historical anthologies, we started by asking each student to find the title, author, and date of the source that they found. Then, using different scaffolding strategies depending on the source and the student, we modified an Advanced Placement source reading strategy, HIPP+: Historical context, intended audience, purpose, point of view, and the + represented the student’s interest in the document, theme, or history. This allowed students to work towards understanding each source they chose, unpacking it, and learning to express why they found it valuable.

Finally, the most significant portion of this project is the focus on student choice. Each student had the opportunity to either choose a theme for their anthology or to keep it flexible depending on their own goals and interests. We spent time as a class brainstorming potential themes that could transcend time and thinking about the potential that each theme could hold. Taking this approach gave students agency to trace themes and ideas throughout history, taught them disciplinary literacy skills, and allowed them to find a love of history based on their research interests.

In the end, each one of my students completed an anthology that highlighted two to three primary sources from each unit of study in our class. Each one was different. Each one was special. Each one represented an individual’s unique learning.

The file below is an example of an organizer for identifying and understanding key terms in a reading selection.

Common-Sense-7-Word-SummaryDownload

References

Manfra, M. M. (2020). Digital history 2020. Social Education, 84(2), 118-122.

National Council for the Social Studies. (n.d.). About: The national council for the social studies. https://www.socialstudies.org/about/about#:~:text=The%20primary%20purpose%20of%20social,and%20involvement%20in%20civic%20affairs.

Wineburg, S., & McGrew, S. (2019). Lateral reading and the nature of expertise: Reading less and learning more when evaluating digital information. Teachers College Record, 121(11), 1-40.

Elizabeth (Beth) Shaver is a doctoral candidate in the Department of Teacher Education and Learning Science at North Carolina State University with a concentration in Social Studies. She has taught social studies for fourteen years between California and North Carolina.

Action! Growing Historical Writing Skills with Video Essays

Teaching

This blog is written by Tori Young and shows us how to scaffold written essays resulting in a video essay. Read more about Tori at the bottom of her post.

Have you ever caught yourself in the never-ending rabbit hole of online video essays? Conspiracy theories, movie plot analyses, theme park history and so many more topics are explained in a thorough manner with research and analysis weaving together ideas and backgrounds you never would have put together. Even if you have not stumbled into this online phenomenon, I can assure you that your students have. Whether hour long YouTube deep-dives, or short TikTok synopsis series, students are being presented with researched information about a wide range of topics even if they do not recognize it. After noticing this for myself, I asked “why aren’t more essays like this?”

Research papers and argumentative essays are the primary form of essay writing used in my history classroom. I want my students to know how to be informed citizens and communicate their ideas and beliefs in a way that is grounded in historical truth and facts. I typically scaffold this process throughout the year using activities based on the content. Typically, I start out with an exit ticket asking students to pick a side on a tough topic (no in between!) and tell me why they chose their stance. Nothing formal just to get them to practice how to take a stance. Slowly I will make them add facts from a document we read in class to back up their positions and eventually start teaching the research process by having them look for reliable sources of their own to support their side. Eventually, all that information can be used to organize and create a well-written paper for social studies.

The broad goals of this process are to teach students how to make informed decisions and communicate their ideas effectively. While a traditional essay is an excellent way to practice those skills, many teachers like me have seen the difficulties for students that come with that ultimate step of writing the paper. For many students, the formal language or length of the writing assignment can be daunting to approach, causing them to shut down before trying. But we look at them confused; they have already practically written the paper with their summaries and research. Why can’t they just fill in the gaps with just a few sentences?

I found myself asking these questions every year. When I asked my students to verbalize their answers, I got great insight and connections to the content from them. They know this content, in fact many of them get passionate about it when it is time for them to argue. As I pondered this, I concluded that most of my students will only share their research and findings about topics verbally in their futures. Why am I not adding a verbal layer of assessment to this process?

This is where the wonderful world of video essays came into play for me and my classes. A video essay takes on the same structure as an essay but uses visual aids and commentary to present the information. Just like a good historical essay, it begins with background information on the topic and a clear thesis. It is then followed by key points that are supported by examples. And lastly, the video concludes with the creator’s main idea and the topic’s historical impact. Video essays help students practice research skills, organizing ideas and examples, but instead of writing, they are practicing presentation skills! 

An example of this in my high school US History classes is during our unit on the Antebellum era. There are a lot of names of important people during this period; abolitionists, women’s rights activists, and politicians. I let my students pick from a list of key figures to research to share their life story. I give loose parameters on the assignment, asking students to provide the background of the person’s life, their contributions to Antebellum America, and their lasting impact on the United States. Some students may need more guidance, so it may be helpful to provide examples of information you are looking for such as their birthplace, career, and writings to name a few possibilities. I then ask students to record a two-minute video using WeVideo or Screencastify to present their findings using media to support their discussion. 

I have seen my quietest students speak without hesitation in these videos, presenting on topics with great care and speaking skills. The key is that I do not show them in front of the class. Once the fear of being judged by their peers is taken away, students become comfortable with the process. They also begin to get creative with their media. Many will create a PowerPoint to display and follow along with for their video. However, I have seen animations, skits, and eulogies come out of this assignment as students begin to find their creativity with this medium. 

Students are still practicing all the skills I need them to learn for my goals, but by incorporating video essays I have seen higher levels of engagement with historical content. This is not meant to take away from the importance of formal writing. While not all our students will go on to university and academia, they will still need to write important emails and apply for jobs. Formal writing is an important skill, but if you also notice students needing an extra step in scaffolding the writing process in social studies then consider video essays. Students will even surprise themselves with how much they know!

Images courtesy of Pexels

Tori Young is a high school social studies teacher in Anderson, South Carolina. She is currently working on her Master’s in Instructional Design and Learning Technology at Anderson University.

Learning about the Events of September 11, 2001, Through Story

Collaboration, Teaching

This blog is written by Lesley Roessing suggesting that a variety of texts can be used to teach historical events still impacting the world today. Read more about Lesley at the bottom of her post.

No historical event may be as unique and complicated to discuss and teach as the events of September 11, 2001, the day terrorists crashed planes into, and destroyed, the Twin Towers of the World Trade Center. At the time of this event, no child in our present K-12 educational system was yet born, but, in most cases, their parents and educators would have been old enough to have some knowledge of, and even personal experience with, these events, making this a very difficult historic event for many to teach. However, with the devastation and impact of these events on our past, present, and future and as ingrained a part of history these events are, they need to be discussed and understood as much as possible.
 
An effective way to learn about these events is through story. Powerful novels have been written about this tragedy, for all age levels and, fascinatingly, each presents a different perspective of the events. Some take place during September 11, some following the events, some a few years later or many years later, and a few include two timelines. Many take place from the perspectives of multiple characters.
 
On September 11, 2021, YA Wednesday posted my guest-blog “Novels, Memoirs, Graphics, and Picture Books to Commemorate September 11th.”  In this blog, I interviewed authors and reviewed and recommended 24 texts and six picture books.
  Since then, I have read two additional texts:

Yusuf Azeem is Not a Hero by Saadia Faruqi
“Suspicion of those unlike us is common human behavior. We don’t trust who we don’t know. But yes, 9/11 was terrible, and it really fueled the fire of hatred in this country.” (184-5)

Sixth grader Yusuf Azeem was born in Texas and is an American; his mother was also born in America and his father was a Pakistani immigrant who runs the popular A to Z Dollar Store in town (and a somewhat a local hero after capturing an intruder threatening his store and customers). The family is Muslim, but, understandably, Yusuf is shocked when sixth grade begins with threatening notes in his locker. When one says, “Go home,” he is hurt and confused. Frey, Texas is his home. Surely the notes are meant for someone else.

This is a novel that may benefit from some background on the events of September 11, 2001, since the action takes places in 2021 but, read individually, Ausuf’s uncle’s journal helps to fill in information. The importance of this particular novel is that it demonstrates that, for some of our citizens and students, “Twenty years. So much time. But things haven’t really changed at all.” (48) One of the major events in the story—when a little computer in his backpack beeped and, instead of questioning him and investigating, Ausuf is thrown in jail for twelve hours—is based on a real event from 2015 where Ahmed Mohamed, a Muslim 14-year-old, was arrested at his high school because of a disassembled digital clock he brought to school to show his teachers [https://www.cnn.com/2015/09/16/us/texas-student-ahmed-muslim-clock-bomb].

It is vital that our children learn about 9/11 because, as Yusuf’s mamoo says, “History informs our present and affects our future.” (81)

In the Shadows of the Fallen Towers by Don Brown
Don Brown’s graphic novel recounts events following the 9/11 attacks on the Towers and the Pentagon from the moment of the “jetliner slamming into the North Tower of the World Trade Center” to the one-year anniversary ceremonies at the Pentagon, in Shanksville, Pennsylvania, and at Ground Zero. It also covers the fighting of U.S. troops in Afghanistan and the capture and interrogation of prisoners from an al-Qaeda hideout in Pakistan.
 
The drawings allow readers to bear witness to the heroism of the first responders, firefighters, and police as they move from rescue to recovery over the ten months following the attacks and learn the stories of some of the survivors they saved. It is the story of the nameless “strangers [who] help[ed] one another, carrying the injured, offering water to the thirsty, and comforting the weeping.” (23)
 
We learn and view details that we may have not known, such as “Bullets start to fly when the flames and heat set off ammunition from fallen police officers’ firearms,” (11) the “Pentagon workers [who] plunge[d] into the smoke-filled building to restore water pressure made feeble by pipes broken in the attack,” (36) and former military who donned their old uniforms and “bluff[ed their way] past the roadblocks” to “sneak onto the Pile” to help. (50, 52)
 
For more mature readers this book adds to the story of 9/11 in a more “graphic” way.
 
I have taught a unit on NINE ELEVEN through book clubs in multiple schools from grades 5 through 9 in both ELA and Social Studies classes. Children and adolescents have felt comfortable these sensitive and challenging concepts and examining these troubling events and some of the ensuing difficulties, prejudices, and bullying, through the eyes of characters who are around their ages, some readers sharing personal stories in their small collaborative groups. I am thankful for the authors who have allowed our children to experience these events in a safe and compassionate way. I have presented these novels and strategies and lessons for reading through book clubs at local workshops and national conferences. I included my 9/11 Book Club unit as a chapter in TALKING TEXTS: A Teacher’s Guide To Book Clubs Across The Curriculum.

Condensed and reproduced with permission from https://www.literacywithlesley.com/blog posted on September 2, 2023.

Lesley Roessing was a public-school teacher in eastern Pennsylvania for 20 years where she taught high school and middle school ELA, Humanities, and Gifted Studies. In 2010, she founded and directed the Coastal Savannah Writing Project at Georgia Southern University where she also taught pre-service and in-service teachers. The year prior to her retirement, she served as the Literacy Consultant (Coach) for a K-8 charter school. Upon retirement, she continued writing, visiting classrooms to facilitate reading and writing lessons, and posting all things literacy! 

Follow her website, created to support educators—teachers, librarians, and parents, at https://www.literacywithlesley.com/

Look closely: Strengthening students’ visual literacy

Teaching

This blog is written by Rebecca G. W. Mueller and is about the powerful effect of images as an instructional tool. Read more about Rebecca at the bottom of her post.

Let’s do a quick exercise.

Take a moment to revisit several recent blog posts.

How many blogs included visuals? What type of visuals? Did you pay much attention to the visuals as you read the blogs? Did you think about how the visuals interacted with the text and communicated their own meaning?

We are surrounded by visuals – from emojis and selfies to infographics and data charts. Visuals are an important communication tool that we must read just like we do text, but readers do not always bring the same critical eye to visuals as they do words. Readers often deem visuals as objective depictions of information and forget that, for example, a photographer makes many decisions about how to best capture a moment just as a speech writer carefully selects their words. 

A key facet of literacy in social studies classrooms is strengthening students’ abilities to critically engage with visuals (Callahan, 2013; Roberts & Brugar, 2017). Because students’ worlds are often saturated with visuals, teachers may presume that students have the skills to read them, but one’s ability to select the most flattering filter does not necessarily transfer to considering a political cartoon’s symbolism. Critically engaging with visuals requires substantial vocabulary and background knowledge, particularly around symbols, artistic conventions, and statistics. Below, I introduce some tools teachers can use to scaffold students’ work with visuals and discuss how building this capacity supports disciplinary literacy.

Useful tools

The Stanford History Education Group (SHEG) has an extensive array of resources, lessons, and assessments that support content and disciplinary literacy. SHEG recently turned its attention to civic online reasoning and has developed materials that address skills necessary for sense-making in a visual-filled digital world, including evaluating photos and evaluating data. All visitors can view student-friendly crash course videos, but a free-account is required to access some resources (e.g., assessment tools, rubrics, sample responses), most of which are most appropriate for middle or high school students. Using the three-question scaffold Who’s behind the information? What’s the evidence? and What do other sources say?, students develop the disposition to encounter visuals with healthy skepticism.

Both the Library of Congress and National Archives have document analysis tools and support materials to guide students’ work with visual sources. Both sites provide a general guide and specific guides that are tailored for particular source types, including charts and graphs, maps, photographs, and political cartoons. For example, the Library of Congress’ basic tool prompts students to observe, reflect, and question. The analysis tool modified for use with political cartoons includes guiding questions such as What do you see that might be a symbol? What was happening when this cartoon was made? and What methods does the cartoonist use to persuade the audience? These documents, which include versions appropriate for different readiness levels, prompt students to utilize core literacy practices while also emphasizing the influence of form and function on how we create and read visuals.Project Zero’s Thinking Routine Toolbox includes an array of strategies suitable for various disciplines and ages. The Toolbox has identified strategies that are well suited to exploring art, images, and objects. One of my favorites is See, Think, Wonder because it stresses the importance of looking closely before drawing conclusions and identifying additional information that will strengthen those conclusions. This simple, flexible strategy demands similar practices as the scaffolds described above but with language accessible to all ages.

Retrieved from https://ourworldindata.org/literacy

See, Think, Wonder can be paired with Zoom In, which prompts students to consider increasingly larger portions of an image and revise their conclusions based on new information. In both cases, students build the dispositions to root conclusions in evidence, be open to revising conclusions based on new information, and reflect on how their personal experiences and biases may influence the way they interpret visuals.

Ford, E., photographer. (1957). Tennis talk Althea Gibson, U.S. and Wimbledon tennis champion, gives some pointers on the game which has brought her international fame. Some 500 students attended the tennis clinic yesterday at Midwood HS, directed by Murray Eisenstadt, varsity coach // World Telegram & Sun photo by Ed. Ford. New York, 1957. December. [Photograph] Retrieved from the Library of Congress, https://www.loc.gov/item/2013650115.

Visual literacy as civic literacy

Researchers affiliated with SHEG’s Civic Online Reasoning project have argued that “the health of a democracy depends on people’s ability to access reliable information” (Breakstone, et al., 2021, p. 505). Because so much of the information we encounter is visual, building students’ visual literacy is fundamental to civic literacy. Utilizing the tools discussed above strengthens students’ awareness of the constructed nature of visuals and their ability to apply disciplinary sourcing practices to better understand how context and intention influence the way we create and read visuals.

References:

Breakstone, J., Smith, M., Wineburg, S., Rapaport, A., Carle, J., Garland, M., &

Saavedra, A. (2021). Students’ civic online reasoning: A national portrait. Educational Researcher, 50(8), 505-515.

Callahan, C. (2013). Analyzing historical photographs to promote civic competence.

Social Studies Research and Practice, 8(1), 77-88.

Roberts, K. L., & Brugar, K. A. (2017). The view from here: The emergence of

graphical literacy. Reading Psychology, 38, 733-777.

Rebecca Mueller is an Associate Professor of Social Studies Education at University of South Carolina Upstate. Before entering higher education, Rebecca taught social studies at Bryan Station High School in Lexington, Kentucky. She enjoys integrating photographs, political cartoons, data charts, and other visual sources into her instruction.

Mentor Texts for Disciplinary Writing Instruction–Not Just for ELA Teachers!

Teaching

This post is written by Jenelle Williams. Learn more about Jenelle at the bottom of this post.

As educators, many of us can identify mentors–people who have supported us along our educational journey. To mentor someone is both a sacred task and a tall order. In classrooms, text can serve as mentors as well. The purpose of this blog post is to clearly define what we mean by a disciplinary mentor text and to consider implications for effective disciplinary writing instruction. So let’s get started!

This is an exciting time to be an educator, as notions of text are expanding as time and technology move forward. For the purposes of this blog post, let’s agree that text includes anything with encoded meaning. This, of course, can mean printed words on a page, but it can also include many other things, such as symbols, musical notation, football play diagrams, dance performances, videos, audio recordings, podcasts, graphs, charts, and more. In this expanded definition of text, we must also expand our definitions of what it means to read, write, and be literate. For our purposes, being literate in a particular context means a person can consume the encoded meaning of a text, comprehend the meaning, and communicate in ways that are valued by that particular academic discipline or profession.

What is a mentor text?

Mentor texts are typically short, engaging texts provided to students for a particular purpose, including (but not limited to) the following:

  • Acting as a foundation to learn or imitate a specific writing form
  • Teaching students to read with a writer’s eye (e.g., sentence structure or word choice)
  • Demonstrating what good writers do
  • Helping students take risks in their writing and develop their skills (from Teachstarter.com)

The role of multimodality and representation

As educators select mentor texts to use as part of instruction, it is important that, in addition to expanded notions of what qualifies as text, they intentionally include multimodal texts. Multimodal refers to something occurring or being communicated through multiple media of communication or varying forms of expression. For example, a campaign video may have images, music, text, and data all presented in one multimodal text. Students regularly interact with multimodal texts (videos with embedded audio text, for example), and need instruction and practice in order to be critical consumers of these texts.

There is an additional (and necessary) challenge as educators select texts that serve as mentors for students’ disciplinary writing–how to ensure that they are attending to issues of representation. To what extent are authors of various ethnicities, cultures, backgrounds, and perspectives represented? How might we be more intentional to include authors representing historically marginalized populations? To be sure, this requires more time and effort on the part of educators, but it is well worth the effort, as it can provide students with a connection and entry point to learning.

Authentic purpose in mentor texts for writing

In order to truly engage secondary students in authentic inquiry with mentor texts, it is vital that educators provide an authentic purpose for students to engage in mentor texts beyond simply being assigned to do so. It must be clear that the mentor text will serve a purpose and will eventually allow students to communicate their ideas with an audience greater than themselves and the teacher. The following lists some examples of authentic inquiries that would require students to engage with a wide range of texts (including mentor texts):

  • Why does a lot of hail, rain, or snowfall at some times and not others?
  • How can we use mathematical and statistical knowledge and analysis to monitor and predict the spread of disease and use our findings to make and evaluate decisions made at the personal, community, state, and national levels?
  • How can we use poetry to promote social justice in our community?
  • How can we as historians uncover and share stories about our community? Whose stories are often left untold?

Once we have identified authentic purposes for students to engage with disciplinary mentor texts for writing, we need to consider instructional approaches that leverage the power of those texts. Just as we needed to define the term “text”, it is vital that we hold a shared understanding of what we mean by the term “writing”–or, at the very least, a shared understanding of what we mean by writing instruction:

Let’s begin with some non-examples of writing instruction. They include the following:

  • Writing instruction is NOT assigning writing
  • It is NOT over-emphasizing grammar, spelling, and punctuation
  • It is NOT requiring rigid structures (i.e. telling students exactly how many sentences, what kind of sentences, and in what order)
  • It is NOT valuing the writing product over the writing process
  • It is NOT copying notes from lectures or PowerPoints, definitions of vocabulary words, answers to questions straight from the textbook, or formulas for writing

When we are working with educators to strengthen their writing instruction, we emphasize the following practices:

  • Modeling the process of preparing to write, drafting and revising writing, and reflecting on writing
  • Using writing as a tool to support learning and reflection
  • Providing support before and during writing in class
  • Valuing the process of writing just as much as the product

Disciplinary writing begins with an authentic purpose for writing. Members of various academic disciplines and professions use both informal and formal writing in order to process or organize ideas; communicate and share ideas; evaluate ideas; develop and support a claim; explain a phenomenon, process, or solution; entertain; record data, evidence, and observations; solve a problem; and much more. Middle- and high-school students can be apprenticed into these types of disciplinary writing with intentional support.

For example, students in an eighth-grade Social Studies class might engage in inquiry on the following question: What was the human toll during the Civil War? As part of their inquiry, they may read the following disciplinary texts: photographs of soldiers preparing to go to war, data tables on Civil War casualties, and first-person accounts from soldiers’ diaries. Students may engage in informal writing such as annotating texts; note-taking in response to readings, discussions, or teacher-presented information; and constructing an outline and then a first draft of a historical account or explanation. Formal writing may be a historical account or evidence-based argument about the human toll of the Civil War that is shared with an appropriate audience beyond the teacher.

Essential Instructional Practice 4 & additional helpful resources

Essential Instructional Practice 4 from the Essential Instructional Practices in Disciplinary Literacy document is a great place to start for teachers that are interested in strengthening their support of students’ disciplinary writing. Teachers may read the General Practices at the beginning of the document, or they may be interested in selecting the content area section that best aligns with their work. Additional helpful resources are also suggested in the table below.

Multidisciplinary
Learner Variability Navigator
ELAMathematicsScienceSocial Studies
Michigan Middle School English Language Arts UnitsWriting in Mathematics – Annenberg LearnerScaffolding Students’ Written Explanations | AST Beyond Writing to Learn, The Science Teacher (NSTA)Read.Inquire.Write
The New York Times MS HS Writing Curriculum
MusicPhysical Education & HealthVisual ArtsHeritage & World Languages
Lesson Idea | MAEIAWritingAthletes.comLesson Idea | MAEIAThe Nature of L2 Writing | Foreign Language Teaching Methods

The great news is that secondary educators do not have to be writing experts (or even published authors) in order to teach students how to write effectively within and across disciplines. As long as we keep expanded notions of text, multimodality, and representation in mind, along with an authentic purpose for students to engage with a disciplinary mentor text, we are well on our way to modeling and scaffolding students as they create disciplinary texts of their own. We are lucky as well that we have free, widely available resources that can help us shift toward effective pedagogical moves. Let’s get writing, everyone!

Jenelle Williams is a Literacy Consultant within the Leadership and Continuous Improvement unit at Oakland Schools, an intermediate school district supporting the 28 districts in Oakland County, Michigan. She joined the organization in 2017 following 18 years of experience in public schools at the elementary, middle, and high school levels. She has served as a classroom teacher, IB Middle Years Programme Coordinator, teacher leader, and educational technology coach. An IB Educator and Examiner since 2013, Jenelle leads professional learning workshops and marks e-assessments for the International Baccalaureate Organization. She holds an Education Specialist in Leadership degree and a Master’s degree in Reading and Language Arts through Oakland University. In addition, Jenelle serves as an Adjunct Professor in Grand Valley State University’s Graduate Program and a co-editor of The Michigan Reading Journal, a publication from the Michigan Reading Association. Jenelle is passionate about supporting teachers, building leaders, and central office administrators in the area of secondary literacy, and she is especially excited to be able to support Michigan’s work around disciplinary literacy through her role as Co-Chair of the statewide Disciplinary Literacy Task Force. She can be reached at jenelle.williams@oakland.k12.mi.us, and on Twitter at @JenelleWilliam6 and @GELN612Literacy.

Cover Photo by Desola Lanre-Ologun on Unsplash

The Leadership Needed to Support Disciplinary Literacy Initiatives Webinar

Teaching

In this webinar, Dr. Ippolito will present multiple evidence-based ways for both formal and informal literacy leaders—principals, instructional coaches, and teacher leaders—to support disciplinary literacy initiatives across grade levels and content areas. This session is intended to support both teachers and leaders, as we collaboratively navigate disciplinary literacy work in a post-pandemic world.

When: March 30, 2023 6-7PM EST

Cost: Free

The following resources were shared during the webinar.

Jacy is a professor in literacy and leadership at the McKeown School of Education at Salem State University (Salem, MA), where he currently codirects graduate programs in Educational Leadership and the Center for Educational Leadership at SSU (CEL@SSU). Jacy’s work focuses on the intersection of literacy coaching, educational leadership, adolescent/disciplinary literacy, and school reform, and his most recent books include Disciplinary Literacy Inquiry & Instruction (2019), An UnCommon Theory of School Change (2019), Investigating Disciplinary Literacy (2017), and Cultivating Coaching Mindsets (2016).

For more about Jacy and his work, please visit:
www.visualcv.com/jacyippolito or
www.twitter.com/Jippolito

Cover Photo by Natalie Pedigo on Unsplash

Literacy Leadership Lessons Learned: Post-Pandemic Professional Learning

Teaching

This post is written by Jenelle Williams. You can read more about Jenelle at the bottom of this post.

I have served in public education since 1999, and I can attest to the fact that this school year has been a doozy. I have served as a middle school and elementary teacher, an instructional coach/coordinator, and now I am serving as a consultant. Working both regionally and across the state of Michigan with secondary teachers, building principals, and central office administrators, it’s easy for me to get lost in all of the challenges. Despite this reality, I have been lucky enough to witness positive momentum in the schools and districts I serve across Oakland County, Michigan. Working as a secondary literacy consultant for the 28 individual school districts in my county provides me with endless variety–though my area of focus is adolescent literacy, each district within my service area represents a wide array of contexts, sizes, strengths, and needs. 

Working with other content-area colleagues, we developed a plan of support around disciplinary literacy in our region for this school year. As is the case with most educational contexts, we began planning while still in the midst of the previous school year, so there were many unknowns. Would we experience another surge of COVID? How would districts navigate large teacher turnover? Would educators even be ready to re-engage with a shared professional learning focus? Despite the unknowns, we built a service plan based on the following beliefs:

  1. Care for the System: If districts are committed to taking up disciplinary literacy as a continuous improvement goal, they must engage in self-reflection and goal-setting around district systems–not just focus on a few professional learning days. The Essential School-Wide Practices in Disciplinary Literacy (2020) provide a basis for our learning.
  2. Break Down Silos: It is essential to have a variety of roles represented on a disciplinary literacy leadership team. At its core, disciplinary literacy is about simultaneously breaking down silos while honoring the unique elements of each discipline. Our plan would need to also break down hierarchical silos that often exist within the continuous improvement, i.e. central office leaders name the area of focus, building principals then try to interpret what that means for their building, and teachers receive the message later in the communication cycle. In order to avoid a continuous improvement “telephone game”, we wanted to bring representatives from a variety of roles to navigate the “messy middle” of implementing disciplinary literacy together.
  3. Center the Learners: Disciplinary literacy also requires that we center our learners and are willing to step back from an expert stance. If we are asking educators to make this shift, we (as the facilitation team) would also need to make this shift. One way to accomplish this is to ask each of our participating districts to host our monthly, half-day network meetings at one of their buildings. Another way is to regularly make space for participating districts to highlight their work in our monthly District Spotlight. As much as we might want additional time for shared learning around research, we know that our participating districts often learn best from each other.
  4. Plan for Tight and Loose Construction: As we know from Everett Rogers’ Diffusion of Innovation model, we can anticipate people’s reactions to innovation–whether it is disciplinary literacy or something else–to fall along a predictable bell curve (Hubbard, 2007). As much as we wish we could somehow convince all educators that our innovation is THE thing they should focus on, we know that is not possible. For this reason, our service plan was built around a “cohort of the willing”–nine districts that expressed interest in bringing a team together for a yearlong network. As part of our network series, we also encouraged districts to take this “cohort of the willing” approach to heart, supporting educators who were ready and interested in stretching their instructional practice, while gently encouraging others forward. For participating districts, this meant they were navigating a “tight and loose” construction for their implementation of disciplinary literacy: tight, in that there was clear messaging around the district’s goal; and loose, in that individual educators and departments could articulate specific areas for learning within that goal.

What can this look like? In one district, the “tight and loose” construction has looked like having multiple professional learning sessions for all educators throughout the year–use of district professional learning days and staff meetings has provided opportunities to bring middle- and high-school teachers together, both in disciplinary and interdisciplinary groupings. The Essential Instructional Practices in Disciplinary Literacy (2019), originally drafted by Dr. Elizabeth Moje at the University of Michigan and refined over the years by statewide experts, is a foundational document that has provided this district (and all districts in our network) with possible areas for professional learning. After gathering teacher perception data and engaging in data dialogue conversation, leaders in this district decided to begin professional learning with a focus on Essential Instructional Practice 2, which calls for the development of abundant, diverse disciplinary texts and reading opportunities.

The loose part in this district’s implementation involved optional Study Group sessions on other Essential Instructional Practices in Disciplinary Literacy, with an opportunity for participating educators to share their learning with staff later this Spring. For a more in-depth discussion of how professional learning can allow for a shared focus AND teacher autonomy, we recommend Investigating Disciplinary Literacy: A Framework for Collaborative Professional Learning by Christina Dobbs, Jacy Ippolito, and Megin Charner-Laird (2017).

Keeping our core beliefs at the forefront of our thinking, my colleagues and I created a predictable structure for network meetings. We asked participating districts to select a month when they would like to host the meeting. One of us acted as a point of contact, gathering necessary information about the location and communicating with the network. Each network meeting would last for three hours, and hosting districts could select whether to hold the meeting in the morning or afternoon. This structure made it more possible for all participants to attend due to time constraints and a lack of substitute teachers. Each district could select its team–some started with just a few central office administrators, some came with representatives from all levels, and some consisted of one instructional coach. All were welcome. Meetings always began with introductions and agendas, norms, and a connector. Especially at the beginning, we used the connectors as a way to build relationships across districts. As we moved through the year, one of the most popular portions at the start of the meeting was our District Spotlight–the planning team would intentionally reach out to one of the districts with a specific ask, such as, “Can you tell the network about how you’ve been engaging in instructional rounds?” Next, consultants would lead the group in shared learning around portions of the School-Wide Practices for Disciplinary Literacy. Areas of focus were selected based on the time of year and the types of decisions that districts make at those times. For example, as we moved into Spring, it made sense to focus on School-Wide Practice 7, which outlines systemic approaches to evaluating instructional materials. Perfect timing as central office leaders begin making budget decisions! Finally, each meeting ended with at least one hour of team time. Each district was assigned two consultants who would serve as points of contact for any necessary support. Finally, though the planning team had absolutely no expectations in this area, we started to find that each hosting district was excited to outdo the others–specifically as it related to food! In one district, food service employees created a magnificent spread of snacks. The next month, the hosting district asked their Foods teacher (and his students) to create an array of tasty treats. What a way to highlight teacher (and student) excellence!

As I think back, I am sure there were many more beliefs guiding our plan for supporting these participating districts, but the ones described above have been a driving force throughout the year. So what have we learned after engaging with this network since September 2022? And why am I so encouraged? First, we have learned that you don’t have to be a “perfect” district or school in order to get started with this work. What is necessary is a shared vision, passion, and commitment to the work. In one district, nearly all central office administrators are new this year. They have certainly had quite the learning curve as they become familiar with the strengths and needs of their district. However, they have committed to attending network meetings, along with individual consulting sessions with me, to craft a multi-year plan that fits their context. More importantly, we are seeing positive changes: teachers are talking with department colleagues about instruction, staff are using common terminology around disciplinary literacy, and building leaders are seeing the value in having a shared goal across multiple buildings.

We have also learned that despite everything they have experienced over the past few years, educators are just as interested in honing their craft as they have always been. In fact, some are even more concerned than ever before–they want to shake up their approaches in order to engage all learners. Even more heartening is that when provided the chance to invite colleagues and leaders into their classrooms to observe and debrief their practice, middle- and high-school teachers have been willing to open their doors. Debrief sessions from these observations highlight just how reflective and growth-minded classroom teachers continue to be.

The future is bright as we begin service planning for the upcoming school year. Participating districts are overwhelmingly positive about continuing with this work in year two, and several additional districts have expressed interest in joining in the work. We have an incredible array of resources to offer–most importantly, we will continue to make space for the most important resource–each other.

References

Hubbard, W. G., & Sandmann, L. R. (2007). Using diffusion of innovation concepts for improved program evaluation. Journal of Extension, 45(5), 1-7.

Dobbs, C. L., Ippolito, J., & Charner-Laird, M. (2017). Investigating disciplinary literacy: A framework for collaborative professional learning. Harvard Education Press.

Michigan Association of Intermediate School Administrators General Education Leadership Network Disciplinary Literacy Task Force. (2019). Essential instructional practices for disciplinary literacy: grades 6 to 12. Authors

Michigan Association of Intermediate School Administrators General Education Leadership Network Disciplinary Literacy Task Force. (2020). Essential school-wide practices In disciplinary literacy: Grades 6 to 12. Authors

Jenelle Williams is a Literacy Consultant within the Leadership and Continuous Improvement unit at Oakland Schools, an intermediate school district supporting the 28 districts in Oakland County, Michigan. She joined the organization in 2017 following 18 years of experience in public schools at the elementary, middle, and high school levels. She has served as a classroom teacher, IB Middle Years Programme Coordinator, teacher leader, and educational technology coach. An IB Educator and Examiner since 2013, Jenelle leads professional learning workshops and marks e-assessments for the International Baccalaureate Organization. She holds an Education Specialist in Leadership degree and a Master’s degree in Reading and Language Arts through Oakland University. In addition, Jenelle serves as an Adjunct Professor in Grand Valley State University’s Graduate Program and a co-editor of The Michigan Reading Journal, a publication from the Michigan Reading Association. Jenelle is passionate about supporting teachers, building leaders, and central office administrators in the area of secondary literacy, and she is especially excited to be able to support Michigan’s work around disciplinary literacy through her role as Co-Chair of the statewide Disciplinary Literacy Task Force. She can be reached at jenelle.williams@oakland.k12.mi.us, and on Twitter at @JenelleWilliam6 and @GELN612Literacy.

Photo by Felicia Buitenwerf on Unsplash

Using graphic organizers to help break down content into manageable chunks

Teaching

This post is written by Schyler Anderson. Read more about Schyler at the bottom of this post.

While teaching science one day, I gave my students what I thought would be a simple task – read an article and answer questions afterward. In my lesson plans, I wrote this as a “warm-up” activity which was only supposed to last about ten minutes. Ten minutes passed and to my dismay, the majority of my students weren’t even attempting the assignment. I walked around the room to check in with students and see what the issue was. The students who weren’t attempting the assignment asked me to read it to them. Once I did, we went through the questions and they were able to answer them with no problem. 

The situation listed above occurred frequently in my classroom. In the beginning, I played the blame game and felt that teaching middle schoolers how to read was out of my control and not my job. After seeing my students continue to struggle, I realized this was an area of my teaching that I needed to revisit. I believed that literacy was at the core of science and integral to the success of my students. When researching, I came across the strategy of using graphic organizers. I found that one of the reasons middle school students struggle so much with science literacy is because they have had little exposure to expository writing. Expository writing is filled with complex vocabulary, structured by topics, and has no clear beginning, middle, and end, unlike the narrative writing they were more used to. Graphic organizers help students break down the content into manageable chunks and ensure they grasp what’s most important. 

Once I decided this strategy was worth implementing, I approached implementation with a science brain where I created a control group and an experimental group. Both groups took the same pre- and post-assessments. The experimental group learned using graphic organizers and the control group relied on traditional reading comprehension strategies such as skimming and scanning the text, looking at bold words or phrases and reading the questions before reading the text. The groups switched to the next unit so that each group had experience learning content with and without graphic organizers. I was ultimately comparing the growth between each group to see if this strategy really helped improve students’ reading comprehension skills. I created my own graphic organizers based on each topic like the one sampled in the image below. I decided to follow the basic templates of hierarchical, cyclical, conceptual, and sequential graphic organizers where I added titles and phrases to help students understand the organization better. 

When looking at the data, I found that this strategy was helpful to my students, particularly those who categorize themselves as poor readers and/or those who were low achievers in science (D or F grade range). Survey data showed me that 67% of my students from Class A and Class B felt that using graphic organizers helped them understand content from the textbook better. They also provided written explanations stating that when using graphic organizers:

  • “It helped me because it breaks down everything.” 
  • “It helped me because it is more organized.”
  • “The content is simplified.”
  • “It is easier to find the answer.” 

I also noticed that my low-achieving students experienced the most growth between the pre-and post-assessment while in the experimental group. For example, the two low-achieving students I focused on experienced a growth of 60 and 40 points when using the graphic organizers. This group of students also responded the most enthusiastically to the strategy. Before graphic organizers, the two focus students loathed completing written work. They both rated themselves as poor readers who are insecure about their reading ability. When comparing this behavior with their behavior during the use of the strategy, it was a 180-degree difference. These two students were writing down and completing the assignments. They were complaining that class was ending too quickly. They became more confident in the short time that I tried this strategy out. You can see for yourself the comparison between the work of my focus student, Ava, below: 

Ava’s Guided Note Sheet

When looking at the notes above, you can see that Ava did not complete the note sheet entirely. The answer to the question, “Why are particles necessary for cloud formation?” is answered incorrectly showing a lack of understanding. The final question is not answered so the notes lack some details. Now compare this with the graphic organizer completed below. Notice that the graphic organizer is entirely complete. Ava took the time to draw out each symbol and color it in. The definitions provided give enough details that Ava could use these notes to help her study or complete an assignment. 

Ava’s Graphic Organizer

While my foray into the world of graphic organizers was short, I find this strategy to be a promising one. This strategy is first and foremost easy to implement. There are numerous templates online or you can create your own using Google Slides or Google Drawings as I did. Simply print them out, explain what goes where, and see how your students do. The second plus to this strategy is that it teaches students how to pull out the important information within a wordy article and how to actually use this information when needed. Finally, this strategy was most effective with my struggling readers and I don’t know about you but If I can find a strategy that helps my struggling students become more successful I will. In conclusion, give graphic organizers a try today or tomorrow and see how they will help your students become better readers of science – and other expository – texts. 

My name is Schyler Anderson. I am an educator located in Sumter, SC. This will be my 4th year teaching 6th-grade science. I am a proud USC alumna. I got my bachelor’s degree in middle-level education with a concentration in math and science and my master’s degree in teaching with a focus on PBL.

Cover Photo by Jess Bailey on Unsplash