Where I’m From

Teaching

This post will discuss how “Where I’m From” poetry helped provide a scaffold to better understand multilingual students and their evolving identities. This post is written by Emily Graham. Read more about Emily at the bottom of this post.


The question “Where are you from” is one often heard by multilingual learners (MLs). Although all the MLs at my school could answer this question simply by naming their birth country as either the US, Mexico, or Guatemala, this answer gives little information about each student’s identity. Through her poem, “Where I’m From”, George Ella Lyon shows us how we can tap into the more complex answer to this question. Lyon links together memories of special places, people, sayings, and stories from her past to tell us who she is, and this can serve as a powerful model for reflection and exploration of the rich and diverse identities among students.

In a poetry unit built from Lyon’s ideas, structure, and themes, my MLs explored and shared their own identities. Students’ poems and thoughts gave me a small window into my students’ past and present lives and their critical and creative thinking abilities. The “Where I’m From” Poetry Project allowed me to build a deeper, more complex understanding of who my students are and “where they are from” beyond just a geographic place.

There are countless get-to-know-you activities that require students to answer categorical questions such as: “What are your favorite foods?”; “What are your favorite songs?”; “Who is in your family?”; or “What do you like to do when you are not at school?” While I believe these questions are important, their answers do not always provide great insight into our students’ lives. Often these questions are asked and answered without much thought or reflection. Students may say: “My favorite foods are tamales”; “I don’t know my favorite song”; “I live with my dad, aunt, uncle, and sister”; and “I watch T.V.”, but there is little depth or passion to these responses.

When we use poetry to elicit these responses, we can reframe these questions in a way that requires reflection and deep thinking. When the questions are reframed to: “What are the family, foods, thoughts, and stories that make you who you are?” a teacher can gain a much deeper understanding of students and their unique identities. “Where I’m From” Poems provide a frame and an artistic lens for students to respond to those questions about identity.

Here is an example of how one student’s poem provided me with a glimpse into his rich and unfolding identity. Looking at his identity from a more reflective perspective helped me build an understanding of the student’s home life, language, family, and interests that I had not slowed down to see before.

Jimmy, a 3rd-grade multilingual student, was born in the United States and struggled with academic language and literacy. Although he was born in the US, he did not begin learning English until he started school in kindergarten. The first language, the language used most often, and the language that he used with the people he loved, was Spanish. Jimmy was considered a student who “struggled” in school.  He often put his head down in class, he refused to work independently, and said things like, “I’m not smart” or “I can’t read.” Sometimes he participated in whole group discussions but more often seemed disengaged. Jimmy’s class was starting a unit on poetry, and I anticipated resistance from Jimmy. I decided to teach a unit to build background knowledge and confidence in poetry.

Jimmy initially seemed disinterested in the idea of studying and writing poetry. But that slowly started to change through the process of a close read of Lyon’s “Where I’m From.”  At first, we looked at the literal meaning of Lyon’s words through translations, pictures, and discussion. Jimmy was able to confidently define big words from Lyon’s poem such as “carbon tetrachloride” and “forsythia bush”. He was able to explain how someone might lose a finger to an “auger”. He also was able to discuss big ideas like nostalgia and memories.  In later readings, Jimmy stated Lyon’s voice reading her poem sounded like a ghost. He said Lyon talked about the past and memories like a ghost would. Jimmy seemed to enjoy building on the ideas of his group members. He was not afraid to share his opinion on the meaning of certain phrases and his thoughts about word choice. I was surprised by Jimmy’s desire to build an argument and support a claim in the discussion. He said, “I think the author likes to play in the dirt under her porch. Maybe she liked to hide there because that is what I do. My dogs also like to hide under the porch because it is cool, and they feel safe.” I was also impressed by Jimmy’s critical thinking and questions.  He said, “I wonder why she said the ‘it tasted like beets.’ Maybe she is talking about when she was a little kid because little kids always put stuff in their mouths. They are curious and that is how they explore.”

Jimmy was not initially thrilled about the task of writing his own poem. He needed some support organizing his ideas. With the support of graphic organizers, help in spelling, and some motivation from a YouTube student example, Jimmy wrote. Here is his poem:

I am from fish tanks and from dirt

and my dog DJ

I am from broken glass in my backyard

I am from my broken T.V.

From Roblox and road trips

I am from sunflowers and bamboo

I am from tag with my brother and helping my mom

from Joseph and Marissa

I am from the sad puppies and Llama the puppies mama

from swings and broken pinatas

I am from my dad’s Honda

with a big engine

I am from my mom’s Hyundai

it has a push button to start

from riding my bike and making my own adventures

I am from digging holes and making traps

I am from inventions

Jimmy’s poem was a powerful representation of his identity, and his word choice was beautifully poetic. He was able to infuse his poem with alliteration and repetition, imagery, and emotion. He juxtaposed happy and sad memories, and purposefully ended his poem with positive attributes about himself. He talked about both joyful and upsetting times with his family. Times where they celebrated together — “broken pinatas” — and times of trouble — “broken T.V.” From reading and talking about Jimmy’s poem, I learned about ways Jimmy interacted with his family, some challenges in his life, and personal characteristics that he was proud of. Jimmy was proud to explain how he helped his mom with daily chores and sometimes would go to work with his dad. He talked about his dog Llama having puppies and the irresistible sad look on the puppies’ faces. He found joy in playing with the puppies. He talked about being devastated when some of the puppies got sick and died. He said he felt so bad for Llama, the puppy’s mama. Jimmy sometimes showed insecurities in the classroom but spoke with complete confidence when discussing his adventures and inventions outside of the classroom. He talked about his positive attributes like creativity, curiosity, and bravery. Jimmy took pride in his poem, so much so that he wanted a copy to take home and read to his family

Jimmy’s poem and the conversations that resulted from discussing poetry helped me shift from focusing on Jimmy’s struggles to identifying and sharing his strengths Before, I might have shared my frustrations on Jimmy’s lack of motivation or refusal to do work in my class. Now I had something so much more powerful and beneficial to share with other teachers — Look what Jimmy wrote, look what Jimmy can read, but most importantly look at some of the things that make Jimmy who he is! Through poetry I learned more about his academic abilities — Jimmy could craft meaning from metaphor and explain his theories about themes and lessons hidden in poems. I also learned about his interests and motivators. I discovered Jimmy’s empathy for others, passion for inequalities in his community, and desire to help others. Jimmy’s poem allowed me to understand his uniqueness and make connections to my own childhood curiosities and adventures. I felt the same empathy for animals and dreams of a more peaceful and equitable world.

I had the same kind of revelations and connections with my other students. I learned Alexander had a job caring for sheep in Mexico through his lines: “I am from a big river where the sheep used to cross” and “from a scary ram who chased me all day.” I learned Veronica’s older brother always said to her “sup bro and dap me up, bro.” I learned about Marta’s memories of Guatemalan cuisine: “tortilla’s (sic), tortas, tamales, and tacos.” Each poem was beautiful and unique and a window into my students’ lives. These poems provided voice for my students and a platform to share the individual identities that they were proud of. This background was both unique and unifying. The poems gave students an opportunity to be more clearly seen and heard.

Sometimes we want to get to know our students, but we don’t know the right questions to ask. The question “Where are you from?” seems simple on the surface but does not have a simple answer. Studying George Ella Lyon’s poem with my elementary multilingual learners helped me slow down and deepen my understanding of Lyon’s words and, more importantly, my students’ words.  Although my initial purpose of the poetry unit was to provide academic background knowledge for my students, a more beautiful and poetic thing happened — poetry provided background knowledge for my students for me. The poems provided a space for me to do the learning and for my students to do the teaching. The format provided a space to merge home life and home language with school life and language. “Where I’m from Poems” allowed us to celebrate each student’s beautiful and unique identity.  

Lyon, G. E. Where I’m from, a poem by George Ella Lyon: Writer and teacher Subtitle. http://www.georgeellalyon.com/where.html


Emily Graham is from Johns Island, South Carolina. She currently teaches grades K-5 as a Multilingual Learner Specialist in Charleston County Schools. She is a certified elementary educator and has served in several different teacher roles including as a Multilingual Learner Program Specialist, a second grade teacher, an English teacher abroad, a substitute teacher, and a teacher’s assistant. She speaks Spanish and enjoys traveling, creating, and being in nature. She lives with her husband, 8-month-old girl, and two rowdy rescue dogs.

Cover Photo by Vidar Nordli-Mathisen on Unsplash

Overcoming writer’s block with free-verse poetry

Teaching

All writers are familiar with the brain-freezing sensation of staring at a blank page or screen without the slightest clue of how to start a daunting writing task.  This writer’s block symptom is intensified for struggling writers such as multilingual learners, students with un/diagnosed reading/writing disorders, or speakers of dialects who experience Standard English as a foreign language. When they consider themselves writing failures, free-verse poetry writing opportunities in any subject area are one effective way to remediate the problem and release debilitating emotional stress (Bullock, 2021). Most striving writers battle: (1) what to write about; (2) how to structure ideas for longer, multi-paragraph texts; and/or (3) how to use academic language structures in full sentences with grammatically and linguistically correct word use, grammar, and punctuation.

What is free-verse poetry?

Free-verse poetry writing does not present these challenges. It allows for associative writing with spoken language characteristics of words, phrases, or sentences without specific rhyme schemes or metric systems. There are no rules for line breaks, stanza divisions, or paragraph structures. Some free verse poetry looks like narrative writing without having to follow syntactic rules or to require punctuation. Free-verse poetry often creates images and focuses on sensory detail with figurative speech like similes (i.e., water as soft as coconut oil), metaphors (i.e., rain comes down in spaghetti strings), or idioms (i.e., fluttering butterflies in my stomach) (Craven 2021).

The following is a free-verse poem to remember that Natrium Chloride is salt:

Nate and Claire and NaCl

                        Nate Natrium wants a girlfriend

                        Through his binoculars from his Natrium castle

                        He spots Claire Chloride

                        In a hammock

                        Reading a romance novel

                        Humming a song

                        Nate’s heart bursts

                        His feet fly down the hill with a drumming heart

                        To Claire

                        And the rest is history

                        They have children

                        All with salty lips and skin

                        This family helps us spice our food

                        And give minerals to animals, humans and plants

                        Their license plate says NaCl-Salt

What makes free-verse poetry beneficial for striving writers?

The features of free-verse poetry described above allow writer’s block moments to gradually diminish because students can concentrate on what they have to say without grammatical and syntactical confinements of text passages. Students engage in short, creative writing tasks that provide them with growing confidence to express knowledge or feelings without being judged for writing conformity errors, especially when spelling errors are not considered. Consequently, students can creatively and meaningfully play with language and enjoy the process while engaging with content in a pressure-free, reinforcing way (Bullock, 2021).

When to implement free-style poetry writing?

At any time in any content area, teachers can implement 5-15 minute free-verse poetry writing opportunities: (1) prior to a topic to activate pre-knowledge and motivate for a topic; (2) during a unit/lesson; (3) after a unit/lesson to assess gained knowledge; or (4) as a general writing task with prompts such as a title (i.e. mountain bikes, my favorite singer), pictures, or music to engage students in free-verse writing to express their feelings and thoughts stimulated by the prompt.

What are some ideas for grades 6-12?

Providing routine writing opportunities with appropriate support while integrating students’ interests, strengths, and knowledge is crucial in breaking down writing barriers. When first introducing free-verse poetry writing, teachers use ‘think aloud’ techniques to model how to write such a poem. Then, students work in pairs to create a free verse poem before creating them individually. Students can compare each other’s poems and discuss what they learned from different poems. This reinforces the purpose and versatility of free-verse poetry writing in content areas. Students collect their free-verse poems in a writing journal or keep them with their content topic to help them study.

Additionally, a cloze text with open spaces to insert an association or sentence frames along with vocabulary banks can assist striving writers in focusing on writing free-verse poetry.

The following concrete suggestions for different content areas can be supported by thought-provoking pictures, video or film clips, or music to foster paired-up or individual free-verse poetry writing.

English Language Arts:

  • Relate to/ describe a character in a book.
  • Reflect on characteristics of a literary feature or term (i.e., idiom, climax), or jobs/functions of punctuations, capitalizations commonly mis/used.
  • Characterize features of standard English, dialect, or code-switching along with when each is beneficial.

Science:

  • Summarize characteristics of chemical procedures or elements such as H2O (water) or NaCl (salt); or components/purposes of cells or body parts.
  • Describe/reflect on the importance of the processes of the water cycle, polarity, electricity, or planetary systems

Mathematics:

  • Summarize the sequence of steps to take for a certain operation.
  • Describe the characteristics, roles, or properties of concepts or terminologies such as common denominators, geometric structures, or negative/positive numbers.

Music education:

  • Characterize/compare famous musical periods, instruments, musicians, or songs of certain periods.
  • Describe strategies to play certain instruments or to be successful in a choir or band.

Physical/health education:

  • Reflect on the benefits of particular nutrition items (i.e., protein, carbohydrates, water, food pyramid).
  • Describe the interaction of certain nutritional components in the human body or the benefits of exercise and the dangers of sedentary life.

Social Studies:

  • Reflect on/describe the roles of historical characters or their emotions and feelings during a time period (i.e., Anne Frank, Harriet Tubman, Malcolm X).
  • Reflect on/describe the roles of government branches or features of democratic, authoritarian, fascist, or socialist government structures
  • Present a timeline of events that lead to a certain historical event

Conclusion

In sum, brief, free-verse poetry writing is one creative, student-engaging approach to help promote a sense of growing confidence and creativity among striving writers at a low-risk level in grades 6-12. Nobody can go wrong. Every creative contribution counts and matters. Success at that level encourages students to tackle longer writing tasks while also reinforcing the disciplinary content they need.

References

For some examples of free-verse poetry by established authors, see:

Bullock, O. (2021). Poetry and trauma: Exercises for creating metaphors and using sensory detail, New Writing18(4), 409-420,  DOI: 10.1080/14790726.2021.1876094.

Craven, J. (2021, February 15). An Introduction to Free Verse Poetry. Retrieved from https://www.thoughtco.com/what-is-a-free-verse-poem-4171539.

Bullock, O. (2021). Poetry and trauma: Exercises for creating metaphors and using sensory detail, New Writing18(4), 409-420,  DOI: 10.1080/14790726.2021.1876094.

Craven, J. (2021, February 15). An Introduction to Free Verse Poetry. Retrieved from https://www.thoughtco.com/what-is-a-free-verse-poem-4171539.


Macintosh HD:WINTHROP:FALL 2022_classes & tasks:IDA proposals for F22:BIO PIC Elke.png

For the past 20 years, Dr. Elke Schneider has been a professor of literacy, special
education and multilingual learner education at Winthrop University, Rock Hill, South Carolina.

Breaking the Mold: Using Digital Literacy Outside the Traditional Classroom

Teaching

By: Hannah Kottraba, SC Teacher

Dear reader, I ask you to consider these two questions: How can I create a digital classroom? And Why should I? 

Six months ago, technology was a component of my methodology, but not the primary platform for my instruction. That all changed when COVID-19 brought my in-residence teaching to an abrupt halt, and I decided to use Zoom as a digital classroom. The platform allowed my students and their families to present an artifactual literacy project we began before my school’s closure. Pivoting from the traditional classroom to online allowed my families to participate from any location, share a broader range of documents, and feel more at ease in a low-anxiety environment because they presented from home. By using a digital medium, families shared in powerful ways that would not have been possible had we remained in a traditional setting. If you seek to make your classroom more inclusive but have not found an appropriate way of doing so, you should consider the impact a digital platform can have on your students’ education.

On the Job and in the Classroom

In my ten years of teaching, I have experienced the struggle of working around schedules to invite relatives into the school. Getting time off from work can be challenging for parents- though they want to show up for their student, sometimes, it just is not possible. Using a digital classroom helped families bypass such hindrances for school participation. To join our class from any location, parents simply logged in using the access code I sent through our school email system. 

I recognized how impactful an online space is when a student’s mother joined us during her 15-minute break in a hospital room from where she worked. The student was at home with her grandparents, who also made an appearance on screen. It was moving to watch this mother share pictures and videos using her phone from a separate location than her child and parents. The reality that she could still participate in her daughter’s educational experience while never leaving her workplace made me realize that I need to use a digital platform when school resumes; doing so will provide more flexibility for my families. 

Artifacts Online 

Initially, I feared that the details and significance of my students’ artifacts would get lost through the screen. However, they far surpassed my expectations for presenting. They found new and inventive ways to share their research, interview transcripts, and artifacts. Some students transitioned their hard copy documents into Google Slides or PowerPoint presentations by scanning their records and creating PDF formats that they could insert into a more extensive online collection. Other students made a digital compilation of images and videos with the use of video editors and screen recorders. Because  students were at home, they could share an extensive range of objects that otherwise would have been impossible to bring to school, like the portrait of a student’s ancestor hanging in her living room. 

The emotional component of the artifacts and stories came through the screen and the wide use of technology astounded me. I was proud of how the students took ownership of their stories and challenged themselves by transitioning tangible objects to digital relics. 

Connecting in a Comfortable Space

Standing in front of a group of people is never easy; speaking about personal stories that bring forth emotions is even more difficult. My students’ literacy projects asked parents to do just that, be vulnerable, and share intimate details of their past. Had we remained in the traditional classroom, I doubt parents would have felt as comfortable to speak openly in a conversational manner about their lives. However, meeting online made parents feel more at ease during the presentations because they were at home in a familiar and safe space. 

The effect of speaking online led parents whom I had not met all year to participate with their child because of the convenience and low-anxiety environment. Two separate families talked about adoptions that were unknown to me before this project. One student shared about the loss of her dear mother, and another student spoke about leaving his native country to come to America. With families logging in from home, our conversations felt more like our class was sitting in a family’s living room, and they were telling us stories as if we were all old friends. 

A Missing Link

             To circle back to my original questions of how to create a digital classroom and why you should, I would recommend testing several digital platforms to see which one will work best for your needs. Zoom worked for my class while we were in this transitional period. The students had no issues with logging into the digital meeting and using the program’s screen-sharing and recording features. Creating a digital space was as easy as setting up an account and sending out a link with an embedded password through my school’s email system. Parents, who had never owned a computer, were able to access our classroom from their phones with ease. As to why you should invest in creating a digital platform, I hope that by sharing my students’ literacy project, you can see how impactful technology was for my families to be able to connect in meaningful ways outside of the traditional classroom. 

About the Author

Hannah Kottraba has ten years of teaching experience and recently graduated with a M.Ed. in Language and Literacy as a Literacy Coach from The University of South Carolina. She is creating a new literacy lab program for the 2020-2021 school year at Thomas Sumter Academy in Sumter, South Carolina.